The building had the shape of a small rectangle in plan (internally: 7.41 x 4.60 m) and was built of small materials, preserved only 1 m high. The at the east end were two high niches, on either side of a narrow apse from which we do not know whether it projected or not, because the exterior facing of the walls was not cleared and examined. The plan is completed by two entrances, one off-centered to the left, in the facade, the other in the long right wall two-thirds of the distance to the east. This second door connected the interior of the nave with two large adjoining rooms placed at right angles in the extension of the apse.
The floor was organized into a large rectangular carpet with a medallion in the center and a circular inscription in the apse.
Pauline Donceel-Voûte and Bernadette Gillain, Les pavements des églises byzantines de Syrie et du Liban: Volume I : Décor, archéologie et liturgie, Publications d’histoire de l’art et d’archéologie de l’université catholique de Louvain 69 (Institut Supérieur d’archéologie et d’histoire de l’art Collège Érasme, 1988), 407.
We conclude that a monastery existed in this place on the Phoenician coast under the reign of the Emperor Maurice. No doubt it was only a chapel of this convent that was discovered; its floor and its two adjoining rooms are all that we know. It is interesting to observe a sort of reduced format for the eastern wall with three apses at the end of the single nave. The two niches evoke side apses and one cannot fail to restore an altar in the central apse. The sanctuary flanked by its tiny sacristies is drawn by the connection made outside the mosaic field. The function of the two niches – resting places for oblates or for reliquaries for example – remains entirely hypothetical.
Pauline Donceel-Voûte and Bernadette Gillain, Les pavements des églises byzantines de Syrie et du Liban: Volume I : Décor, archéologie et liturgie, Publications d’histoire de l’art et d’archéologie de l’université catholique de Louvain 69 (Institut Supérieur d’archéologie et d’histoire de l’art Collège Érasme, 1988), 410.